Digital painting, concept art and the tools shaping creative work.
Gabriel Gomez’s award-winning environment turns roots, shop windows and tangled cables into a convincing place. Two Léa Pinto concepts reveal the wider world around it.
A three-eyed slime face, a city built for skating and an Art Blast full of credited artists: how Squanch’s strange ideas become usable designs.
Recent colours, clearer tool states and revised adjustment panels are part of Adobe’s October beta. Here is what they could change in a painting session—and what still needs testing.
Inside Yatamon’s illustrated streets: graffiti, a swordfish submarine with a furnished interior, and a creature that begins with a cooking pot.
A focused MAX 2026 viewing guide: the scheduled Photoshop session, what an editable workflow should preserve, and where AI fits in the advertised programme.
Moneypenny’s overlooking office, Q’s furnished workbench and Patrick Gibson’s likeness: specific design decisions from IO Interactive’s artists.
