Digital painting, concept art and the tools shaping creative work.
David Astruga’s Dread Linnorm and Irina Nordsol’s Bariaur show how light, anatomy, gesture and equipment give fantasy characters a place in their world.
A close look at the numbers, colour blocks and sketchbook ideas behind David Oku’s anniversary pins—and how a collection can stay coherent without repeating itself.
A closer reading of Adobe’s creator survey: who answered, what growth means and why a result about content creators is not a verdict on illustration.
Gabriel Gomez’s award-winning environment turns roots, shop windows and tangled cables into a convincing place. Two Léa Pinto concepts reveal the wider world around it.
A three-eyed slime face, a city built for skating and an Art Blast full of credited artists: how Squanch’s strange ideas become usable designs.
Recent colours, clearer tool states and revised adjustment panels are part of Adobe’s October beta. Here is what they could change in a painting session—and what still needs testing.
